Bobby Previte is a composer and performer whose work explores the nexus between notated and improvised music. One of the seminal figures of the 1980s New York ‘Downtown’ scene, Previte is the recipient of the 2015 Greenfield Prize for music and was a Guggenheim Foundation Fellow in 2012. He has received multiple awards for composition from the NEA, NYFA, NYSCA, New Music USA, The Jerome Foundation, The New York State Music Fund, Lower Manhattan Cultural Council, and the American Music Center. Mr. Previte has been an artist-in-residence at the Rockefeller Foundation in Bellagio, Italy, Civitella Ranieri, The Montalvo Arts Center, The Hermitage Artist Retreat, and nine times at the MacDowell Colony.
His original compositions have been recorded and released on Sony, Elektra, Rykodisc, Palmetto, New World, Ropeadope, Tzadik, Thirsty Ear, Cantaloupe and Rarenoise. Leading a plethora of diverse ensembles from his instrument, the drums, he has collaborated with many of the leading lights in and beyond the world of music, including master composer John Adams, iconic singer Tom Waits, pantheon filmmaker Robert Altman, and most recently, rock legend Iggy Pop. His music has been labeled as ‘utterly original,’ by the New York Times, while The New Yorker has said his ensembles ‘speak in visionary tongues.’ Mr. Previte has given master classes at schools and universities around the world including The Eastman School of Music, The New School, Bard College, and Princeton University. His recent work includes: TERMINALS, Five Concertos for Percussion Ensemble and Soloist, with SO Percussion, released October 28th, 2014 by Cantaloupe Music, GONE, with Bobby Previte & the Visitors, released summer 2016 on the forTune label, TERMINALS QUARTETS, the percussion only version of Terminals, summer 2016, by Cantaloupe Music, and MASS, a music in nine parts for choir, pipe organ, and metal trio, released April 2017 by Rarenoise Records. His newest work, RHAPSODY, a song cycle on the subject of migration, was commissioned by the Greenfield Prize at the Hermitage Artist Retreat, and premiered April 21, 2017 at New College in Sarasota, Florida. Scored for acoustic guitar, harp, piano, voice, drums and saxophone, and featuring a powerhouse band of Zeena Parkins, John Medeski, Nels Cline, Fabian Rucker, and Jen Shyu, RHAPSODY was released in January, 2018 by Rarenoise.
————-
Mat Maneri, a leading improvisational voice of his generation, was born in Brooklyn in 1969. He began studying the violin at the age of five, but since borrowing a viola for a jam session at the 1998 ECM festival in Badenweiler, he has made the viola his instrument of choice. Important influences on Maneri’s work – in addition to all the major forces of jazz – include Baroque music (which he studied with Juilliard String Quartet co-founder Robert Koff), Elliott Carter, and the Second Viennese School of Schoenberg, Berg and Webern, which was also of central importance to his father, the late, great saxophonist, clarinettist, composer and educator Joe Maneri. Of his studies with Koff, Mat Maneri has said: “Studying Baroque music helped me to find my sound. [Koff] brought me into the world of contrapuntal playing and a way of using the bow that sounded more like a trumpet, like Miles, to my mind.”
Jazz writer Jon Garelick has written of Maneri’s distinctive style: “Maneri’s virtuosity is everywhere apparent – in his beautiful control of tone, in the moment-to-moment details that unfold in his playing, in the compositional integrity of each of his pieces, in what visual artists might call the variety of his ‘mark-making’: spidery multi-note runs, rhythmically charged double-stops and plucking, subtle and dramatic dynamic shifts.”
————————-
Fred Lonberg-Holm is an improviser/composer living in the Hudson Valley of NY. He has studied composition with Morton Feldman, Anthony Braxton, Pauline Oliveros, Bunita Marcus and Noah Creshevsky and cello with Orlando Cole and Ardyth Alton. Current and ongoing projects include Joe McPhee’s Survival Unit III (w/ Michael Zerang), Stirrup (w/ Charles Rumback and Nick Macri), Seval (Jernberg/Stackenas/Thorman, Strandberg), Friction Brothers (w/ Colligan and Zerang), The Valentine Trio, The Boxhead Ensemble, ADA trio (w/ Broetzmann and Nilssen-Love), VCDC, The Fast Citizen’s, Bererberg, Ballister as well as many "one off" projects. He has appeared in numerous festivals on several continents. Improvisors he has worked with include Clare Cooper, Charlotte Hug, Andrea Neumann, Sofia Jernberg, Shelly Hirsch, Carrie Shull, Carrie Biolo, Elisabeth Harnik, Rachel Wadham, Mary Halvorson, Joelle Leandre, Joanne Powers, Zeena Parkins, Judy Dunaway, Lotte Anker, Iue Mori as well as a number of guys. He also leads a revolving cast large ensembles under the name Lightbox Orchestra.
His extensive discography includes free improvised and free jazz recordings as well as new music, pop, rock and noise.